By David Berry
From downloading song and flicks to having access to unfastened software program, electronic media is forcing us to reconsider the very thought of highbrow estate. whereas sizeable businesses whinge approximately misplaced earnings, the person hasn't ever loved such freedom and autonomy. Berry explores this debate in a concise method, providing an incredible advent for a person no longer versed within the legalistic terminology that -- up formerly -- has ruled assurance of this issue.Looking on the ancient improvement of the loose software program and the open resource move he examines its development, politics and capability effect, displaying how the guidelines that encouraged the flow have now started to persuade the broader cultural panorama. He explores no matter if loose software program bargains us the capability to re-think our dating with expertise within the info society. This publication will attract scholars of media and journalism, and a person attracted to new possibilities for making a actually self sustaining and democratic media.
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Extra info for Copy, Rip, Burn: The Politics of Copyleft and Open Source
Example text
Yochai Benkler is one of the most important critical legal scholars to think carefully about the implications of peer-to-peer24 and the network. In his early work he concentrated on economics-based approaches to explain how the network production model was revolutionary for information production (Benkler 2002, 2003a, Berry 01 chap01 22 5/8/08 12:05:22 TH E CA NA RY IN TH E M INE 23 2003b). The economic foundation of his approach has served to give a theoretical foundation to the problem of motivation for public goods within a network environment.
Call-centres and code-writing centres). Creativity, then, is generally linked to the concept of immaterial production or mental labour of all kinds which connects to computerisation; explicitly because computers rely on the work of human minds in order to produce, code, control and communicate using technology. Today the discourse of creativity is also used widely to distinguish between an older industrial form of capitalism, and the new world of media, information and knowledge, often titled the ‘creative’ economy (Howkins 2001: xvi–xvii).
The flexibility of being Berry 01 chap01 28 5/8/08 12:05:22 TH E CA NA RY IN TH E M INE 29 able to render information, whether audio-visual or textual, into this standardised digital form allows the incredible manipulation and transformation of information that computers allow. It also facilitates the access, storage and relational connections between vast quantities of data located in different places, such as is demonstrated through search engines like Google. Thus code must be understood as a medium, if not a super-medium.
