Grand Hotel Abyss: The Lives of the Frankfurt School by Stuart Jeffries

By Stuart Jeffries

In 1923, a bunch of younger radical German thinkers and intellectuals got here jointly to at Victoria Alle 7, Frankfurt, made up our minds to give an explanation for the workings of the trendy international. one of the such a lot renowned contributors of what turned the Frankfurt college have been the philosophers Walter Benjamin, Theodor Adorno, Max Horkheimer, and Herbert Marcuse. not just might they modify the way in which we predict, but additionally the themes we deem beneficial of highbrow research. Their lives, like their principles, profoundly, occasionally tragically, mirrored and formed the shattering occasions of the 20th century.

Grand lodge Abyss combines biography, philosophy, and storytelling to bare how the Frankfurt thinkers amassed in hopes of knowing the politics of tradition through the upward thrust of fascism. a few of them, pressured to flee the horrors of Nazi Germany, later stumbled on exile within the usa. Benjamin, along with his final nice work—the incomplete Arcades Project—in his suitcase, used to be arrested in Spain and dedicated suicide whilst threatened with deportation to Nazi-occupied France. at the different part of the Atlantic, Adorno failed in his bid to turn into a Hollywood screenwriter, denounced jazz, or even met Charlie Chaplin in Malibu.

After the conflict, there has been a resurgence of curiosity within the college. From the relative convenience of sun-drenched California, Herbert Marcuse wrote the vintage One Dimensional guy, which prompted the Sixties counterculture and thinkers equivalent to Angela Davis; whereas in a sad coda, Adorno died from a center assault following confrontations with pupil radicals in Berlin.

By taking pop culture heavily as an item of study—whether it was once movie, song, rules, or consumerism—the Frankfurt college elaborated upon the character and obstacle of our heavily produced, mechanised society. Grand lodge Abyss indicates how a lot those principles nonetheless let us know approximately our age of social media and runaway intake.

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Sample text

He was repeatedly drawn into reflections on how his privileged childhood was premised on a ruthless airbrushing of the unpalatable and the unfortunate, and how its bourgeois security involved a monstrous, more or less intentional, act of forgetting of what lay beyond the lowered blinds of the family’s apartments. In A Berlin Chronicle, for instance, a series of newspaper articles from the 1920s that predate the writing of Berlin Childhood, Benjamin remembered the sense of bourgeois security that suffused his family’s apartment: Here reigned a species of things that was, no matter how compliantly it bowed to the minor whims of fashion, in the main so wholly convinced of itself and its permanence that it took no account of wear, inheritance, or moves, remaining forever equally near to and far from its ending, which seemed the ending of all things.

Only as he wrote his reminiscences could he understand the full significance of why his father had visited him in his bedroom; only as an adult did the event have a now of recognisability. This obsessive remembrance of childhood makes one think of one of Benjamin’s favourite writers, Marcel Proust, and in particular another bedroom scene at the start of À la recherche du temps perdu in which another privileged little boy – neurotic, Jewish, Victorian, obsessive Marcel – sits awaiting his beloved mother’s goodnight kiss.

The leap was dialectical, since by means of it the past was redeemed by the present action and the present by its association with its counterpart in the past. This suggests that, had he not died in 1940 but survived to witness the student rebellions of the late 1960s, Walter Benjamin might well have championed those who took to the barricades, in all their supposed ridiculousness. Perhaps he would have been more amenable to implementing theory with bombs than his friend Theodor Adorno. It is probably an oversimplification to argue that Benjamin romanticised praxis while Adorno romanticised theory, but there is something in it.

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Grand Hotel Abyss: The Lives of the Frankfurt School by Stuart Jeffries
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