By Luna Dolezal
Each girl – certainly each member of an oppressed staff – will locate this subject resonant. Dolezal argues that, whereas ‘acute’ physique disgrace is critical to socialization (what Norbert Elias known as ‘the civilising process’), ‘chronic’ physique disgrace is undermining; its harmful power is exemplified in terms of plastic surgery. Dolezal skilfully weaves jointly social thought (Elias, Foucault, Goffman) with phenomenology (Sartre, Merleau-Ponty) to stipulate a concept of the socially formed physique that would be required studying for feminists and social theorists alike.
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Additional info for The Body and Shame: Phenomenology, Feminism, and the Socially Shaped Body
Example text
She believes the people hiding there [teenagers whom Rachel knew] are playing a ‘bad trick’ on her. When they put spiders on her, she runs home screaming. In spite of the bright colours and apparent smile which initially suggest a cheerfulness, the text reinforces the drawing’s image of physical weakness and helplessness in the face of bigger opponents who are seen as tricking and threatening her. Because it is drawn out of season, there is some significance to the tree. If the large tree trunk depended on the small amount of foliage for photosynthetic energy, it would not be healthy.
While she is escaping, this runaway girl sees a brother, ‘lost’ years before when he too ran away. Yet, although there is a reunion, there is no ‘happily ever after’ or any other suggestion of future. The ghost in the house knew she was there and tricked her. She wakes up, screams and runs, her only escape being through the roof. The symbolism in this drawing is rather complex. There are three ghosts who seem to have intuitive vision; there are three crosses suggestive of the suffering of the crucifixion.
This story indicates that as the girl leaves the forest, which is often thought of as a symbol of the unconscious, she intuitively knows to look into the tree and a bush approaching her. She believes the people hiding there [teenagers whom Rachel knew] are playing a ‘bad trick’ on her. When they put spiders on her, she runs home screaming. In spite of the bright colours and apparent smile which initially suggest a cheerfulness, the text reinforces the drawing’s image of physical weakness and helplessness in the face of bigger opponents who are seen as tricking and threatening her.
