By Dr Carew Derek
Meant as a complement to "The Mechanical Muse: the Piano, Piano track and Pianism c.1760-1850", this better half offers additional info which, principally for purposes of house but in addition of continuity, it used to be impossible or fascinating to incorporate in that quantity. The ebook is laid out alphabetically and whole biographical entries are supplied for all musical figures pointed out, together with composers, performers, theoreticians and academics, in addition to piano makers and publishers of track, in the interval lined by means of "The Mechanical Muse". There also are entries on figures of value from open air the interval yet whose effect is palpably very important inside of it, reminiscent of J.S. Bach. in addition to biographical info, most of these entries include lists of vital works and a bit on extra studying in order that readers can keep on with up humans and concerns of specific interest.Also incorporated within the better half are entries dedicated to specific works and different info of relevance, akin to descriptions of musical kinds, features of dances etc, in addition to a few technical info on track and reasons of technical phrases referring to keyboard tools themselves and to methods of enjoying them. This better half isn't really meant to exchange present reference books similar to "Grove" or "Musik in Geschichte und Gegenwart", yet might be valuable if you wish to be aware of extra a few specific subject and don't unavoidably have entry to extra expert reference works, or time to go to huge or expert libraries. As such it truly is imperative to clients of "The Mechanical Muse".
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Extra resources for The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, C.1760-1850
Sample text
It had great influence in Germany subsequently, with imitations by the leading poets of the time and translations into German by figures such as *Herder (in the 1770s). The form occupied an important place in the work of Goethe and Schiller and was also prominent in the work of the first *Berlin Lied School, of *Reichardt, *Zelter and (especially) *Zumsteeg, who influenced *Schubert and *Loewe as well as later composers. The ballad thus became an important component in the German *lied tradition in the nineteenth century.
A. Scheibe and, in spite of vociferous factions gathering behind 19 the two, matters were somewhat left in the air. Bach took over the collegium musicum again in 1739, but five years later its 40-year life ended because of lack of accommodation. Bach continued to produce instrumental music during this period – the ‘*Goldberg’ Variations and sets of *chorale preludes for organ. He also developed an interest in the piano, no doubt following from his admiration of the work of Gottfried *Silbermann, with whose excellent organs he was well acquainted and who also made pianos; the composer’s suggestions were incorporated into Silbermann’s mechanisms.
19 Feb 1743, Lucca; d. 28 May 1805, Madrid). Born of an artistic family, he studied with his father and a local musician, first appearing in public as a cellist at 13 years of age. B. Constanzi in 1757 and the same year he and his father were appointed to the court theatre in Vienna.
