By Alexie Aaron
Little Mia Cooper’s skill to determine the useless made her an outcast in her native land. numerous years later, she has eventually controlled to mixture in, yet her hard-won peace is threatened via the coming of a bumbling staff of paranormal investigators. Mia is drawn in reluctantly as an consultant on what, before everything, appears a reasonably ordinary case, in simple terms to find that the hole has even more in shop for her. An historical evil is emerging in chilly Creek hole. What starts off as a ghost hunt turns into a struggle for survival. The Hauntings of chilly Creek hole is the 1st novel of Alexie Aaron’s Haunted sequence.
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Additional resources for The Hauntings of Cold Creek Hollow (Haunted, Book 1)
Sample text
She tucked the violin under her chin and regarded the music propped in front of her on the stand with fierce concentration: Sibelius's Violin Concerto in D Minor, op. 47. Beautiful music, if you could play it. She raised her right arm. The bow felt well-balanced as she lowered it to the strings, a fulcrum counterpoised between the thumb and little finger of her small right hand. The bow, a carbon-fiber Coda bow her grandfather had given her for Christmas, was, like her Chinese violin, good enough for a serious student at the university, though not quite professional quality.
Ivaskin Violins occupied Graham Cottage, named for Oliver Graham, an Episcopal priest who served with the Union Army as an infantry captain during the Civil War, losing his eye and his faith at the Battle of Gettysburg. Graham became a philosophy professor at the university after the war. The smallish house he built of dark brown brick had a modest front porch and steeply peaked gables over the two front windows placed symmetrically on either side of the door. The outermost gables incorporated windows to the garret bedrooms on the second story.
Only years of diligent scale and etude practice had won Maggie's fingers the muscle memory required to fall exactly where they needed to be to play in pitch. The challenges to the right hand and arm are more demanding still. The violin comes closer to the human voice than any other instrument, and the almost infinite variability of the bow is why. But to make the violin sweetly sing, Maggie had devoted years to practicing the delicate manipulations of speed, pressure, control, and motion required to play spiccatos, arpeggios, ricochets, and octaveleaping scales.
